Virtual music : (Record no. 72899)

000 -LEADER
fixed length control field 04266nam a2200505 i 4500
001 - CONTROL NUMBER
control field 6267241
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220712204608.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 151223s2004 maua ob 001 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
ISBN 9780262255943
-- ebook
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
-- electronic
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
-- print
100 1# - AUTHOR NAME
Author Cope, David,
245 10 - TITLE STATEMENT
Title Virtual music :
Sub Title computer synthesis of musical style /
300 ## - PHYSICAL DESCRIPTION
Number of Pages 1 PDF (xiii, 565 pages) :
505 2# - FORMATTED CONTENTS NOTE
Remark 2 Staring Emmy straight in the eye--and doing my best not to flinch / Douglas Hofstadter -- Composition, combinatorics, and simulation : a historical and philosophical enquiry / Eleanor Selfridge-Field -- Experiments in musical intelligence and Bach / Bernard Greenberg -- Dear Emmy : a counterpoint teacher's thoughts on the experiments in musical intelligence program's two-part inventions / Steve Larson -- Who cares if it listens? An essay on creativity, expectations, and computational modeling of listening to music / Jonathan Berger -- Collision detection, muselot, and scribble : some reflections on creativity / Daniel Dennett -- A few standard questions and answers / Douglas Hofstadter.
520 ## - SUMMARY, ETC.
Summary, etc Virtual Music is about artificial creativity. Focusing on the author's Experiments in Musical Intelligence computer music composing program, the author and a distinguished group of experts discuss many of the issues surrounding the program, including artificial intelligence, music cognition, and aesthetics.The book is divided into four parts. The first part provides a historical background to Experiments in Musical Intelligence, including examples of historical antecedents, followed by an overview of the program by Douglas Hofstadter. The second part follows the composition of an Experiments in Musical Intelligence work, from the creation of a database to the completion of a new work in the style of Mozart. It includes, in sophisticated lay terms, relatively detailed explanations of how each step in the process contributes to the final composition. The third part consists of perspectives and analyses by Jonathan Berger, Daniel Dennett, Bernard Greenberg, Douglas R. Hofstadter, Steve Larson, and Eleanor Selfridge-Field. The fourth part presents the author's responses to these commentaries, as well as his thoughts on the implications of artificial creativity.The book (and corresponding Web site) includes an appendix providing extended musical examples referred to and discussed in the book, including composers such as Scarlatti, Bach, Mozart, Beethoven, Schubert, Chopin, Puccini, Rachmaninoff, Prokofiev, Debussy, Bartok, and others. It is also accompanied by a CD containing performances of the music in the text.
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1
General subdivision Computer programs.
700 1# - AUTHOR 2
Author 2 Hofstadter, Douglas R.,
856 42 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier https://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=6267241
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type eBooks
264 #1 -
-- Cambridge, Massachusetts :
-- MIT Press,
-- c2001.
264 #2 -
-- [Piscataqay, New Jersey] :
-- IEEE Xplore,
-- [2004]
336 ## -
-- text
-- rdacontent
337 ## -
-- electronic
-- isbdmedia
338 ## -
-- online resource
-- rdacarrier
588 ## -
-- Description based on PDF viewed 12/23/2015.
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1
-- Composition (Music)

No items available.